8 Works cited

Works cited:

Barr, Alfred H. Picasso: 50 Years of His Art. New York: Museum of Modern Art, 1946. 272-273. Print.

Blunt, Sir Anthony, and Phoebe Pool. Picasso: The Formative Years: A Study of His Sources. Greenwich: New York Graphic Society, 1962. 5. Print.

Daix, Pierre. Picasso. New York: Praeger, 1965. 34. Print.

Daix, Pierre, and Georges Boudaille. Picasso: The Blue and Rose Periods. Greenwich: New York Graphic Society, 1966. 22. Print.

De Salas, Xavier. “Some Notes on a Letter of Picasso.” The Burlington Magazine CII 692 (1955): 483-84. Print.

Galassi, Susan Grace. Picasso's Variations n the Masters: Confrontations with the Past. New York: Abrams, 1996. 20. Print.

Hamilton, George Heard. Painting and Sculpture in Europe 1880-1940. New York: Penguin, 144. Print.

Jennings, William. “The Human Picasso – Blue Period Drawings at O'Hara Gallery.” Apollo June 1960 188. Print.

Leymarie, Jean. Picasso: The Artist of the Century. New York: Viking, 1972. 273. Print.

Lucas, John. "Picasso as a Copyist.” Art News 54.7 1955 36-39. Print.

Parmelin, Helene. Picasso Says. Trans. Christine Trollope. London: Allen, 1969. 43. Print.

Penrose, Sir Roland. Picasso: His Life and Work, 2nd ed. New York: Schocken, 1962. 16, 39. Print.

“Picasso on Picasso.” Time 16 June 1930. Print.

Pool, Phoebe. “Sources and Background of Picasso's Art (1900-1906).” The Burlington Magazine CI 674 (1959). 178. Print.

Pool, Phoebe. “The Picasso Exhibition: The Most Important Four Rooms. The Burlington Magazine 102 690 1960 387. Print.

Stein, Leo. Appreciation, Painting and Prose. New York: Crown, 1974 174. Print.

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